Brechtian Epic Theatre Techniques: A Comparative Study of Alfred Farag’s Sulayman’s al- Halabi and Iakovos Kampanellis’ our Grand Circus

The Doubling Theory and the Second Self: Trauma in Paula Vogel's How I Learned to Drive and Margaret Edson's Wit

Irish Temperament and Irish Talk’ : Desolation and Sense of Failure in Selected Plays of Brian Friel

The Dynamics of the Poetic “I”: A Selective Reading of 20th-Century “Self” Poetics

When a Play is not a Drama? A Postdramatic Study of Simon Stephens’ Carmen Disruption

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

المسرح العربي و محاولات التأصيل

Trauma, Testimony, and ‘the Vicissitudes of Listening’1 in Samuel Beckett’s Krapp’s Last Tape

Muller`s Atemschaukel (The Hunger Angel) between Cassandra and Lazarus: A Narrative of Silence Coffined in a Broken Gramophone

LINGUISTIC PRESENTATION OF YOUNG ADULTS’ SUFFERING IN MORPURGO’S: KING OF THE CLOUD FORESTS AND THE WRECK OF THE ZANZIBAR