Within the framework of the digital diaspora, Suheir Hammad, an American poet of Palestinian descent and a political activist, exemplifies the impact of technology and digital communication on the diaspora experience. Hammad's spoken-word poetry confronts marginalization, challenges binary oppositions, and advances the concept of universal humanity by subverting language through literary and performative methods. Drawing on bell hooks' concept of resistance, this paper argues that Hammad's performative poetry is not only a site for resistance, but it also highlights the broader historical and political contexts of repression and state-sponsored violence, particularly as they pertain to Palestine. Through digital platforms and live performances, Hammad amplifies the voices of her diasporic community, situating her work within the more immense struggles against systemic injustice, settler colonialism, and cultural erasure. Consequently, Hammad's poetry resonates through as both a product of and a response to these oppressive forces, leveraging digital channels to motivate diasporic communities to express and reshape their identities creatively. This paper explores how Hammad's art moves audiences and fosters transnational solidarity by addressing the intersections of political repression, displacement, and activism. Her work emerges as a compelling example of “digital resistance," which builds on the legacy of combat literature while navigating across the immediacy and accessibility of contemporary digital media.