Glimpses of science fiction theatre in G. B. Shaw’s Farfetched Fables (1950)

Science Fiction Drama: Promoting Posthumanism

Dystopian Alternative History in Jack Thorne’s Harry Potter and the Cursed Child, Nicholas Wright’s His Dark Materials, and Stephen Briggs’ Night Watch in Light of Possible World

Urgency and Warning in Duncan Macmillan's and Chris Rapley's play 2071: An Eco-critical Reading

Futility of Feminist Aspirations in Caryl Churchill’s Top Girls: A Postfeminist Reading

The Sublime Terror in Margaret Atwood’s The Handmaid’s Tale

Joana Russ’s The Female Man: A Utopian And Dystopian Science Fiction perspective

Theatre’s ‘Green’ agenda: An ecocritical analysis of Lucy Kirkwood’s proto-environmental play The Children

A Foucauldian Reading of Utopias/Dystopias in Selected Novels by Margaret Atwood

The Cyborg Consciousness: Human Reality and Virtual Reality: A Close Reading of Karel Capek’s Play <i>R.U.R (Rossum’s Universal Robots) A Fantastic Melodrama and an Epilogue</i>