ArticleTheatre’s ‘Green’ agenda: An ecocritical analysis of Lucy Kirkwood’s proto-environmental play The Children
ArticleTheatre’s ‘Green’ agenda: An ecocritical analysis of Lucy Kirkwood’s proto-environmental play The Children
ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone
ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone