Mental Spaces of Marginalization and Resistance in Maya Angelou’s I Know Why the Caged Bird Sings A Discourse-Historical Approach

Internal and External Oppression: An Afrocentric Study of Some Selected Poems by Alice Walker and Ben Okri

EXPRESSION OF THE OPPRESSED: USING CRITICAL PEDAGOGY IN ARTS EDUCATION TO DISRUPT SYSTEMS OF OPPRESSION

The Interlocking Matrix of Oppression: A Reading of the Nameless Women in Ntozake Shange’s <i>For Colored Girls</i> and Dina Soliman’s <i>Al-ʾArayis</i>

Oppression Upon Oppression: Critical Analysis of Parks’ “In The Blood” Through the Intersectional Perspective

Gendered Identities in the Arab World

Reshaping the Reality of Women: A Feminist Study of Selected Poems by Adrienne Rich (1929-2012)

Discursive Strategies in Egyptian Women's Stories on Sexual Assaults: A Critical Discourse Analysis Approach

The Kurdish Women in Turkey: Agency in the Face of Oppression

Undermining the “Matrix of Domination”: Religion, Race and Gender and the Intersectionality Politics of Aliaa Sharrief’s “Hijabi” Hip-hop and Modest Fashion