Samuel Beckett’s Dramatic Method: The Example of Not I

Human Agency and the Epistemological Vortex in Beckett’s The Unnamable: A Deconstructive Reading

Cut and Dried: Seamus Heane’s the Burial at Thebes’ Appropriation of Sophocles’ Antigone

Language as a Means of Power: A Comparative Study of Harold Pinter’s No Man’s Land and Alfred Farag’s Ali Janah al-Tabrizi and His Servant Quffa

Tension between Meter and Syntax in Hamlet

Dialogic Problems and Miscommunication: A Study of David Maamet’s Oleanna (1992)

إشكالية الخاتمة في مسرح توفيق الحكيم Epilogue in the Plays of Tawfiq Al-Hakim

The Literary Impact of the Absurd Movement on Cormac McCarthy’s “The Sunset Limited: A Novel in Dramatic Form

Is There Any Way Out? A Phenomenological Hermeneutic Reading of Escapism in Mohsin Hamid’s Exit West and The Last White Man

Dereifying Tragic Existence: A Heideggerian Reading of Greek Tragedy and its Reformulation by Arthur Miller