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ArticleDigital Interactive Spectatorship in Dream (2021): An Experimental Holographic Adaptation of Shakespeare’s A Midsummer Night’s Dream
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ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone
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ArticleOn Drama Translation: Katerina Reiss's Text Types revisited with Reference to Shakespearean Translation into Arabic
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ArticlePsycho-analysis of disturbed identity in post-modern civilization as depicted in modern American drama
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ArticleHarold Pinter's Progress from Modernism toPostmodernism With Special Emphasis on Three Selected Plays: The Room, Betrayal, One For The Road