An ecofeminist analysis of Caridad Svich’s The Way of Water

Food culture and power in Bertolt Brecht’s Saint Joan of the Stockyards

Power and Resistance in Post 9/11 Theatre

Theatre’s ‘Green’ agenda: An ecocritical analysis of Lucy Kirkwood’s proto-environmental play The Children

Uncovering the Hidden Truth in the Documentary Play, Guantanamo: Honor Bound to Defend Freedom

Staging Body Politics in Tomson Highway’s The Rez Sisters (1986) and Brian Friel’s Dancing At Lughnasa (1990)

Postdramatic Performance and Audience Participation in Thomton Wilder’s Selected Plays

Literary Verbatim Theatre between Actuality and Creativity: Reading of My Name is Rachel Corrie (2005)

The manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone

A Marxist analysis of disability in Tennessee Williams’ The Glass Menagerie