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ArticleUrgency and Warning in Duncan Macmillan's and Chris Rapley's play 2071: An Eco-critical Reading
ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone
ArticleThe manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone
Article‘Earth Matters’ in Solo Performances: An Ecocritical Study of Stephen Emmott’s Ten Billion and Chris Rapely’s and Duncan MacMillan’s 2071
Article‘Earth Matters’ in Solo Performances: An Ecocritical Study of Stephen Emmott’s Ten Billion and Chris Rapely’s and Duncan MacMillan’s 2071
ArticleClimate Change and Environmental Justice in Chantal Bilodeau's Sila (2015) and Ahmed Yerima's Hard Ground (2006): An Eco-critical Study
ArticleClimate Change and Environmental Justice in Chantal Bilodeau's Sila (2015) and Ahmed Yerima's Hard Ground (2006): An Eco-critical Study
ArticleRe-Dramatizing the Palestinian-Israeli Conflict: Representations of Trauma and Postmemory in Caryl Churchill's Seven Jewish Children: A Play for Gaza (2009)
ArticleRe-Dramatizing the Palestinian-Israeli Conflict: Representations of Trauma and Postmemory in Caryl Churchill's Seven Jewish Children: A Play for Gaza (2009)