Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Forms of Intersectionality: Drama and Metadrama in Yussef El Guindi's Jihad Jones and the Kalashnikov Babes

إعادة کتابة الأساطير من خلال الشخصيات المهمشة في مسرحية مارينا کار الماي

Identities at Odds: Dramatic Syncretism and Indigenous Identity Representation

Escaping the Inescapable: Cognitive Dissonance in Ayad Akhtar’s Disgraced (2012)

Challenging Hierarchical Relationships in American and Egyptian Drama: A Comparative Ecofeminist Reading in Two Representative Plays (Timberlake Wertenbaker’s The Love of the Nig

The Conflict between Secularism and Islam in Ayad Akhtar's Disgraced

Cultural Appropriation in Ayad Akhtar's Disgraced

المسرح العربي و محاولات التأصيل

Conceptualizing Marginalization and Empowerment in Am Malala A Cognitive Critical Approach