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ArticleExistential Angst in Jesse Andrews’s Psychological Realistic Fiction Me and Earl and the Dying Girl (2012)
ArticlePostmodern Conceptualization of Focalization, Temporality and Spatiality as Three Narrative Aspects in Darren Greer's Just Beneath My Skin (2014)
ArticlePostmodern Conceptualization of Focalization, Temporality and Spatiality as Three Narrative Aspects in Darren Greer's Just Beneath My Skin (2014)
ArticleBetween the Mother’s Imaginary and the Father’s Symbolic: The Dialectic of Fragmentation and Aggregation in Haydn Middleton’s <i>Grimm’s Last Fairytale</i>
ArticleBetween the Mother’s Imaginary and the Father’s Symbolic: The Dialectic of Fragmentation and Aggregation in Haydn Middleton’s <i>Grimm’s Last Fairytale</i>
ArticlePossibilities [Un] locked: Questioning the Paradigm of ‘Artificial Consciousness’ and the Promise of ‘Transcendence’ in Jack Paglen’s ‘Transcendence’
ArticlePossibilities [Un] locked: Questioning the Paradigm of ‘Artificial Consciousness’ and the Promise of ‘Transcendence’ in Jack Paglen’s ‘Transcendence’
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ArticleA HERMENEUTIC VIEW OF BIBLICAL MYTHOLOGY AS REFLECTED IN SARAH RUHL’S EURYDICE AND IN THE NEXT ROOM
ArticleExploring Human-Animal Relations in William Bruce Cameron’s A Dog's Purpose: A Novel For Humans: A Critical Posthumanist Approach
ArticleExploring Human-Animal Relations in William Bruce Cameron’s A Dog's Purpose: A Novel For Humans: A Critical Posthumanist Approach
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ArticleCeltic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation