Congolese Women's War Trauma in Lynn Nottage's Ruined

Dancing and Remembering: A Contextual Reading of Brian Friel’s Play Dancing at Lughnasa

Staging Body Politics in Tomson Highway’s The Rez Sisters (1986) and Brian Friel’s Dancing At Lughnasa (1990)

The Stage Language Of Maria Irene Fornes

“We’re Holding our Ground”: Body Politics, Verbal/Non-Verbal Performance, and Dissent Aesthetics in Rafeef Ziadah’s Performance Poetry

Quelques écrivains et la danse

اعادة رؤية للتاريخ من خلال الذاکرة في مسرحية بريان فريل "الرقص في لوناسا"

Hybrid Tongues: Language, Identity and Cultural Resilience in Marlene Nourbese Philip's Diasporic Poetics

The descendants of Terpsichore, remarks on a Russian ballet influenced by ancient Greek elements of performance in connection with Oriental poetry

When the Subaltern Speaks: Feminine Narrative Performance in Heather Raffo’s Nine Parts of Desire and Issam El-Yousfi’s Tears with Alcohol)*(