A Semiotic Reading of the East Asian-Canadian Restaging of the Immigrant Experience and Redress in Marty Chan’s The Forbidden Phoenix and David Yees’s lady in the red dress

Intermediality as a Means of Resistance: The Repercussions of Neo-Orientalist Discourse on Muslim Americans in Wajahat Ali's The Domestic Crusaders

Identity and Post-Colonial Discourse: Gene Luen Yang’s American Born Chinese

I’ll Make an American Out of You: Reflections on the Orientalism of Disney’s <i>Mulan</i> (1998)

Metadrama and the Deconstruction of Stereotypes: David Henry Hwang's M. Butterfly and Bondage

Brave Expatriate New Worlds: Migration and Acculturation in Betty Shamieh’s Roar and David Henry Hwang’s FOB

Overshadowed by Neo-Orientalism: The Odyssey in Fadia Faqir’s <i>Willow Trees Don’t Weep</i>

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr

The Melting Pot or the Salad Bowl?:A Bhabhian Reading of Yussef El Guindi's Pilgrims Musa and Sheri in the New World

Pluralism, Acculturation and Assimilation in Amy Tan's The Joy Luck Club