Dancing and Remembering: A Contextual Reading of Brian Friel’s Play Dancing at Lughnasa

THE WOMAN’S BODY AS ALTERNATIVE CANVASS OF THE NIGERIAN CIVIL WAR:

Inventing Geographies: The Global South and Brian Friel’s “Ballybeg”

Defiance of Docile Body: The Dynamics of the Female Body in Three Selected American Plays

Cultural Encounters on Stage

Staged Representations of Négritude: Aboriginality and White Supremacy in Jane Harrison’s Stolen

Narrating (Her)story: The Politics of Commemoration in Yvette Nolan’s Annie Mae’s Movement

An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2

Dramatizing Hegemony and Counter-hegemony in Brian Friel's The Freedom of the City and Saad al-Din Wahba's Al-Sibinsa: A Comparative Study

Feminine De-feminisation of Harmful Cultural Practices in Pierre Meunier’s Chinyelu (Tragedy of Dona Juana)