Hope and Harbors in Brian Friel’s Philadelphia, Here I Come! and Wonderful Tennessee

BETWEEN WORLDS: NARRATING GLOBALISATION, IDENTITY AND ALIENATION IN LEILA ABOULELA’S SHORT STORIES

Staging Body Politics in Tomson Highway’s The Rez Sisters (1986) and Brian Friel’s Dancing At Lughnasa (1990)

The Impact of’ English’ on Post-colonial Identity: Brian Friel as an Example

Decolonial Narratives of Knowledge and Defiance in Brian Friel’s <i>Translations</i> and Muin Bseiso’s <i>Shimshūn wa Dalīlah</i>

A Geocritical Reading of Jhumpa Lahiri's The Lowland

Finding a Third Space: A Postcolonial Comparative study of Verdecchia’s Fronteras Americanas and Fugard’s Sizwe Basnsi is Dead

Myth Appropriation in Brian Friel's play: Living Quarters

An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2

Writing Across Borders