The research deals with the study of the integrated relationship between the elements of visual perceptions of the void and its interaction with the vital elements of it through the study and address the concept and philosophy of visual perceptions of the void and its development through the ages and the effect of these visual perceptions on the perception of life in the vacuum at its levels the three vitals It is the first level: belief in the existence of a life of visual formations and the sense of awareness of users in a dynamic interaction, and comes the second level: with regard to the mental and mental path of the user aware of these visual perceptions as physical elements with vital visions to convey the perception to the existence of real life and not Imagine it, level 3: The presence of the user in the scope of visual perceptions interactively with the characteristics of the formations that he realized between his mental perceptions and his inner feelings and his impression of the place and his human interaction towards it in the conscious and unconscious mind of his vital qualities surrounding the pulsating quality Life has vivid images that interact with the pulse of natural ingredients in the void The research has found that the interaction between human and visual perceptions in the void has exceeded the limits of time and space and has become more oriented towards biophilic design that enhances communication between nature and human, the architect has an important role in applying the concept of biophilic and expressing it to design elements space.