Ecriture Féminine and Female Corporeality: A Reading of Marina Carr’s Woman and Scarecrow

Irishness, Female Subjectivity, Domestic Relation, and Landscape as manifested in Carr's The Mai & Ariel

Re-Dramatizing the Palestinian-Israeli Conflict: Representations of Trauma and Postmemory in Caryl Churchill's Seven Jewish Children: A Play for Gaza (2009)

Memories at War or Memories in Continuum: Challenging the Borders of Memory in <i>Seven Jewish Children: A Play for Gaza</i>

Literary Verbatim Theatre between Actuality and Creativity: Reading of My Name is Rachel Corrie (2005)

Decolonial Narratives of Knowledge and Defiance in Brian Friel’s <i>Translations</i> and Muin Bseiso’s <i>Shimshūn wa Dalīlah</i>

'It gives me an edge over all of yees": A Feminist Psychoanalytical Reading of Marina Carr's By the Bog of Cats

An ecofeminist analysis of Caridad Svich’s The Way of Water

Power and Resistance in Post 9/11 Theatre

Staging the Hyphen and Reframing Urban Reality in Site-Specific Performances: Miriam Schickler’s Echoing Yafa and the Complex Palestinian Geopolitical Context