Irishness, Female Subjectivity, Domestic Relation, and Landscape as manifested in Carr's The Mai & Ariel

Re-Dramatizing the Palestinian-Israeli Conflict: Representations of Trauma and Postmemory in Caryl Churchill's Seven Jewish Children: A Play for Gaza (2009)

Memories at War or Memories in Continuum: Challenging the Borders of Memory in <i>Seven Jewish Children: A Play for Gaza</i>

Literary Verbatim Theatre between Actuality and Creativity: Reading of My Name is Rachel Corrie (2005)

'It gives me an edge over all of yees": A Feminist Psychoanalytical Reading of Marina Carr's By the Bog of Cats

An ecofeminist analysis of Caridad Svich’s The Way of Water

Staging the Hyphen and Reframing Urban Reality in Site-Specific Performances: Miriam Schickler’s Echoing Yafa and the Complex Palestinian Geopolitical Context

Power and Resistance in Post 9/11 Theatre

Upsurges of Metatheatrical Dramaturgy in Heather Raffo’s 9 Parts of Desire

Carnivalesque Border-Crossings: The Fluidity of Identity in Marie Jones’ <i>A Night in November</i>