Betty Shamieh's The Black Eyed: the Intersection of Gender and Race

Brave Expatriate New Worlds: Migration and Acculturation in Betty Shamieh’s Roar and David Henry Hwang’s FOB

Trauma and the Palestinian Experience in Betty Shamieh’s The Black Eyed (2005)

Betty Shamieh’s Play The Black Eyed Treating Violence through Four Different Ages

(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Forms of Intersectionality: Drama and Metadrama in Yussef El Guindi's Jihad Jones and the Kalashnikov Babes

Hybrid Identities/Hybrid Music: The Political Aesthetics of Arab Youth Musical Performances in Diaspora

Women in Transit: Hybridity in Selected Short Stories from Leila Aboulela's Collection Elsewhere, Home

DIASPORA AND HYBRIDITY IN AHDAF SOUIF’S AISHA