This paper surveys one of the longest lived and most widespread images of the Ancient Near East that is the ibex. The Paper discusses the appearance of ibex in ancient Near Eastern art in some selected scenes and sculptures related to fertility, fecundity and death: on rock art, pottery, cylinder seals and reliefs.  The ibex depicted as swastika symbol on some Samarran ware in 6^th millennium B.C. which symbolizes the four corners of universe, wind and infinite circle. It is represented as a religious motif in a composition of two wild goats about a tree which symbolizes tree of life or tree of cosmic. The ibex was associated with a sacred ritual dedicated to ensure rainy season to provide plentiful harvest, so it was connected with storm gods. Multiple interpretations and opinions handled its appearance. The paper identifies the various forms in which it was portrayed. This paper aims to shed light on the significance and religious symbolism of the Ibex as a symbol of rebirth, new life and rejuvenation.