The author of the novel, who relies on aspects of its events on historical facts, is confronted with a technical problem when it attempts to trace the history of a specific period through the technical structure of its literary genre. Society itself from one person to another. The historian may resort to the weaving of what he calls historical truth through the common denominator between these convergent, divergent, reconciling, disjointed, dispersed communities. But narration can only be persuaded to dive in each case in order to catch the certainty it seeks, and its dream that directs its steps. These patterns of certainty and dream may conflict, creating a world of narratives whose richness and intensity are achieved as much as a novelist can make a balance that appears to be symmetrically balanced as the surface of the sea, but it struggles with the depths as the sea itself. Between that consistency and the struggle lies the extent to which the novelist seeks to achieve the greatest consistency in it.
From this point of view, the novel "Seal of Solomon" by the writer Sharif Malika in twenty-seven chapters or to move in twenty-seven waves similar to the waves of the Sea of Alexandria, which was raging events .. Waves rise and fall .. Storm and calm .. Similar to the destinies of characters woven epic interlocked in A cue with the folkloric, religious and historical mythology, which in turn gave the story a shadow and dimensions that oscillate between certainty and dream. This study will attempt to show how the identity of each character of the text constitutes an essential component of the narration, an impact of the discourse, and the backbone of the narrative.