It is represented in plastic artworks such as drawing, color photography, and other artworks that are essentially a picture. Museums have also developed their methods to deal with this modernity, so there are CDs on which are placed virtual galleries, through which the viewer can move through the images displayed in the museum through a special computer. As if he were wandering inside the museum itself, as one could design his own museum from paintings of his choice and put them on his own computer. But the interaction with the original fixed paintings is still a continuous and distinct experience that exists in human life while staring in the exhibition halls at the artworks produced by the artist. The images that the recipients see are no longer the same human vision of individuals to what looks like hybrid masks where not just pictures, but pictures Represents the technological intelligence that has transformed the modalities of identity in a particular place, subject or person. The scenes shifted from dealing with “representations" to dealing with “images" of the events, which became as if they were the events, so the image of Muhammad al-Durra is equivalent to the same killing of him. The viewer has shifted from dealing with mere mental representations of subjects, people, and events to dealing with them, which is about to be actual, realistic and real. Although technology and the medium of images mediate between images and the recipient, the categories of analysis, and the methods now familiar in talking about the worlds of images, Makes mediation or mediation here as if it were unimportant.