With the continuous development and with the increase in production and consumption and the change in the lifestyle of the printing artist, one of the most difficult challenges facing environmental requirements in the field of artistic printing is dealing with the problem of resource depletion and the increase in environmental pollution, in addition to the fact that achieving the visual impact in building the printed artwork is what makes it The artist's work has an unforgettable plastic and creative value
What differentiates between the vision of an artist and another, so the researcher wanted to crystallize what he studied from the theoretical foundations and what he carried out from experimental operations with different media and plastic materials, and what the research included from experts specialized in the technical and executive aspect in obtaining the colored printed artwork, which prompted The researcher to take advantage of the processes of mixing, mixing and hybridization between different methods and techniques in enriching the plastic, color and expressive values ​​of the colored printed artwork, as well as emphasizing the importance of the experimentation processes for the printing artist, and consolidating a new image of him in light of the fading of the boundaries between the different artistic practices, and here the problem of Research on how to take advantage of the remnants of the printing presses and the various materials by reusing again those non-renewable materials from the printing surfaces and other materials, and to reduce the environmental pollution that they cause, in order to achieve the principle of sustainability from an environmental point of view, and to benefit from the old printing molds from Through the use of traditional methods in constructing the colored printed artwork in a different and innovative way, which can change the concept of printed artwork workers
current and future.