In its introduction, this study deals with the early beginnings of the emergence of Video Art, its most famous pioneers, and the date of its entry into the region
Then search for the extent to which the Arab artist harnesses these capabilities and this art in highlighting his Arab identity and demonstrating it
His technical and aesthetic capabilities.
In order to answer these research questions, the researcher used the descriptive analytical method
To the concept of video art, the history of its development and the most famous pioneers, while in the second section, it reviews the entry of video art in
The Arab region and the disclosure of the ability of the Arab artist to keep pace with modern technologies for video art, in the study
Third, the researcher reviews samples of these works and analyzes them in view of the following indicators: Constructive treatments
Within the work, the vocabulary employed in it, and the selected topic in a way that embodies the artist's environment and its cultural symbols, the researcher attaches
Her own experience in video art as one of the study samples.
The study concluded that the development of techniques and technology and its intersection with art explains the emergence of contemporary artistic systems and tools.
A new expressionism in which the artist addresses his contemporary issues, presenting his audience with a rich expressive language, and that technology and media
Technology yields creative problem-solving solutions and allows the artist to think across multiple disciplines more broadly
and clearer, and prepares the artist to explore and benefit from them continuously
Arab identity in the practices of video artists when they use the video medium to express their issues and visions, benefiting
From Western experiences and modern techniques in presenting original works.