The aesthetics of composition in static and moving image between the subjectivity and objectivity

The Development of the Visual Experience of the Recipient and its Reflection on the Artistic and Technical Development of the Cinematic Film

The Style as an approach to examine the optical vision in both painting and cinematography, The case study of Goya in Bordeaux film

Composition and visual image language

The Art of Matte Painting

The Impact of Technological Evolution on the Design of Cinematic Picture

Using the concept of the spatial dimension in the cinematic image to form the perceptions and emotions of the viewer

The Intellectual Orientations of Modernity & Post-Modernity Cinema; and Their Influence on the Cinematic Image

Theatrical image aesthetics of Adolphe Appiah and Edward Gordon Craig

The formative features of lighting in film and its effect on the emotional response of the audience “experimental study”