CONTEMPORARY FORMULATIONS OF PORTRAIT ART TO CONFIRM THE EGYPTIAN IDENTITY IN THE FIELD OF CERAMIC SCULPTURE (APPLIED RESEARCH)

THE SYMBOL AS AN EXPRESSIVE EQUIVALENT IN THE EGYPTIAN PAINTER MAMDOUH AMMAR PAINTINGS

THE HUMAN-HEADED BIRD FIGURE IN PAINTING FROM THE BRONZE AGE TO THE EARLY TWENTIETH CENTURY

THE DIGITAL PRINTED ARTWORK BETWEEN EXPRESSION IDENTITY AND TECHNIQUE ISSUE FOR SOME GRAPHIC ARTISTS IN EGYPT AND ABROAD

ENVIRONMENTAL ARTISTS IN EGYPT: PERSPECTIVES AND EXPERIENCES REFLECTING THE RELATIONSHIP BETWEEN ART AND THE ENVIRONMENT

SIGNS AND SYMBOLS IN EGYPTIAN TATTOOS AND AMAZIGH TATTOOS (A COMPARATIVE STUDY)

OBJECTIVITY AS AN EXPERIMENTAL APPROACH TO CONTEMPORARY EGYPTIAN PAINTING (AMANY FAHMY AS EXAMPLE)

THE PHILOSOPHICAL DIMENSIONS OF PSYCHOLOGICAL REFLECTIONS IN CHILDHOOD AND THEIR USE IN CONTEMPORARY GRAPHICAL WORKS

WOMEN AS A SYMBOL IN CONTEMPORARY ILLUSTRATIONS INSPIRED BY THE WORKS OF ORIENTALISTS, THROUGH (AN ARTIST BOOK)

THE DEVELOPMENT OF ARTWORK THROUGH PSYCHOANALYTIC THEORIES IN EUROPE (SELECTED SAMPLES OF THE MOST IMPORTANT WORKS OF ART)