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ArticleThe Hermeneutics of Place: A Structuralist Reading of William Trevor’s The Silence in the Garden
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ArticleAcoustic Hallucinations and Racial Disparities: A Psychoanalytic Lacanian Reading of Joe Penhall’s Blue/Orange (2000)
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ArticleA Study of Tom Stoppard’s Where Are They Now? and Mohammad Enani’s The Dervish and the Belly Dancer as Time-travel Plays
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ArticleThe Semiotic Concept of form in Mural Treatments and its Organic Relationship with architecture \