The Concept of the Southern Lady in Tennessee Williams' The Glass Menagerie (1945)

An ecofeminist analysis of Caridad Svich’s The Way of Water

Masculinity as an Indication of Power and Dominance in A Streetcar Named Desire by Tennessee Williams: A Pragma-Stylistic Approach

The Sense of Loss in Edward Albee's A Delicate Balance (1966)

Food culture and power in Bertolt Brecht’s Saint Joan of the Stockyards

The manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone

Theatre’s ‘Green’ agenda: An ecocritical analysis of Lucy Kirkwood’s proto-environmental play The Children

قضايا المعاقون بصرياً في المسرح المصـري "علي أحمد باکثير" و " لينين الرملي" نموذجاً -"دراسة تحليله"-

Light as a symbol of the plights of Tennessee Williams, Heroines

(Conflicting Mythical Forces in Tennessee Williams A Streetcar Named Desire (1947