The Mythical Apollonian-Dionysian Forces in Tennessee Williams' A Streetcar Named Desire (1947)

The Concept of the Southern Lady in Tennessee Williams' The Glass Menagerie (1945)

A Pragmatic Analysis of Impoliteness Strategies in Tennessee Williams' A Streetcar Named Desire, with Reference to Culpeper Model (2005)

Mythe et Politique : D'après Quelques Tragédies Françaises des _ années 1930-1945

The concept of the frontier in sam shepard's true west (1980)

Masculinity as an Indication of Power and Dominance in A Streetcar Named Desire by Tennessee Williams: A Pragma-Stylistic Approach

"La présentation des personnages légendaires dans le mythe d'Œdipe roi selon la vision des auteurs arabes Tawfiq AL.Hakim, Ali Ahmed Bakathir et Taha Hussein"

The Dominant Structures of the Times: Late Victorian Tragedy as Critique of Romantic Ideology

Challenging Hierarchical Relationships in American and Egyptian Drama: A Comparative Ecofeminist Reading in Two Representative Plays (Timberlake Wertenbaker’s The Love of the Nig

Mansoura University Faculty of Education Dept. of Foreign Languages Marsha Norman’s 'night Mother: A Postmodernist Reading