The “Damsel-in-Distress" is a recurring theme in literature first featuring in Greek mythology. Archetypal characters of helpless young ladies have made their debut in modern fiction and drama until the 20^th century. Deeply rooted in misogyny, the trope was often faced with Feminist criticism that broke the pattern, which portrayed women as inherently vulnerable and in constant need of rescue. By the second half of the 20^th century, feminists flipped the narrative and featured empowered women who do not need to be saved by men as they manifest full independence and completion. This paper propounds an innovative trope where gentlemen are in jeopardy and women come to their rescue. The aim of this paper is to apply this post-feminist theory to American playwright, Selina Fillinger's Broadway debut POTUS: or Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive (2022), with the aim of proving that the “Dude-in-Distress" theme is an anticipated natural evolution of Post-feminist non-binary thinking. It manifests itself as a reversed narrative that lacks definition and labeling, and as a trope that is becoming more prominent in 21^st-century literature. This research paper chronicles the notion of distress through its gradual evolution to its contemporary stance