Staging Black Woman’s Self-empowerment and Black Feminism

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Betty Shamieh's The Black Eyed: the Intersection of Gender and Race

SILENCED WOMEN IN HISTORY A FEMINIST-REVISIONIST STUDY OF CARYL CHURCHILL’S VINEGAR TOM (1976) & SARAH DANIELS’ BYRTHRITE (1986)

Feminist Aesthetics: Cross-Gender Technique in Feminist Theatres

Forms of Intersectionality: Drama and Metadrama in Yussef El Guindi's Jihad Jones and the Kalashnikov Babes

The Power of Female Figures in Joe Turner’s Come and Gone and Two Trains Running by August Wilson

We’re Not Weak: Portraying Arab Women’s Power in Betty Shamieh’s The Black Eyed & Roar

Challenging Hierarchical Relationships in American and Egyptian Drama: A Comparative Ecofeminist Reading in Two Representative Plays (Timberlake Wertenbaker’s The Love of the Nig

تَشکُّلُ مسرح السود داخل الحقل المسرحي البريطاني