Trauma and the Palestinian Experience in Betty Shamieh’s The Black Eyed (2005)

Betty Shamieh's The Black Eyed: the Intersection of Gender and Race

Betty Shamieh’s Play The Black Eyed Treating Violence through Four Different Ages

The Traumatized as Traumatizer in Yussef El Guindi's Back of the Throat

We’re Not Weak: Portraying Arab Women’s Power in Betty Shamieh’s The Black Eyed & Roar

Navigating Distorted Territories: “Trauma, Memory and History” in Tony Kushner’s Homebody/Kabul

Trauma Theory and Literary Criticism

Escaping the Inescapable: Cognitive Dissonance in Ayad Akhtar’s Disgraced (2012)

The Doubling Theory and the Second Self: Trauma in Paula Vogel's How I Learned to Drive and Margaret Edson's Wit

Re-Dramatizing the Palestinian-Israeli Conflict: Representations of Trauma and Postmemory in Caryl Churchill's Seven Jewish Children: A Play for Gaza (2009)