Further Evidence for linguistic Naturalism in selected plays of Arthur Miller

The Aristotelian Legacy in Arthur Miller’s Concept of Tragedy

Dereifying Tragic Existence: A Heideggerian Reading of Greek Tragedy and its Reformulation by Arthur Miller

Orality vs. Literacy in Two of Arthur Miller’s Plays: A Corpus-Based Study

Intentional Coherence in Literary Dialogue

At the Discourse-Myth interface: A Corpus-based Analysis of Mourning Becomes Electra

A Stylistic Approach to Power Relation Shifts in Arthur Miller’s <i>The Crucible</i>

THE CORE ISSUES IN THE PSYCHE OF MILLER'S DEATH OF A SALESMAN'S CHARACTERS

Harold Pinter's Progress from Modernism toPostmodernism With Special Emphasis on Three Selected Plays: The Room, Betrayal, One For The Road

Postdramatic Performance and Audience Participation in Thomton Wilder’s Selected Plays