The Use of the Train in August Wilson’s Two Trains Running (1992)

The Other in August Wilson’s Fences ( 1985

Self-Definition: The Historical Legacy of the Past in August Wilson’s Gem of the Ocean

Metadramatic Features in Athol Fugard's Sizwe Bansi is Dead (1972)

Frustrated Brotherhood and a Need for Solidarity in Suzan Lori-Parks’ Topdog/Underdog

The Power of Female Figures in Joe Turner’s Come and Gone and Two Trains Running by August Wilson

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Racial Injustices in Debbie Tucker Green's Ear for Eye

النقد الاجتماعي والسياسي في أعمال توفيق الحکيم المسرحية

Racism in Bruce Norris’s Clybourne Park A Research