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107593

Representations of the Shape Penetration in Calligraphy Compositions

Article

Last updated: 25 Dec 2024

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Abstract

The process of constructing the Calligraphy Compositions assumes to be the rules are pre-set and are a basic stage And move to the optimal recruitment of a group of elements working together in an integrative that achieves a trilogy (beauty - function - expression) through systems that ensure the formation of a formality that has applications ranging from stereotypes and tradition, the shape penetration is one of the outermost manipulations whereby a cohesive structure can be achieved at the level of form, or acting as a semantic booster that amplifies the expressive dimension of the content of the text, In this or that alternative, the shape penetration is in the act with other characteristics. The problem of research is summarized in the question (What represent the formative penetration in the Compositions of calligraphy?),  Significance: The shape penetration is a characteristic used by the calligrapher to achieve the trilogy (beauty, function, expression) in its Calligraphy Compositions, while working with other characteristics and methods of a holistic nature of the consolidation and enhances the overall output. Objective: to uncover (the representations of the shape penetration in the Calligraphy Compositions). The theoretical framework  dealt with the concept of shape penetration, and also the foundations of Calligraphy Compositions including the text and type of calligraphy and system and letter characteristics and the general shape and design treatments, The methodology  was based on the analytical descriptive approach. The research community included calligraphies of (Altholuth, jle Diwani and the Kufi) in Iraq, Syria, Egypt and Turkey. The research community reached (79). (12) Sample was selected. The results: The shape penetration is a variety of methods in terms of quantity, quality and in order to achieve aesthetic goals, functional and expressive by activating the characteristics of the letters by horizontal and vertical ALmad and back and italics by increasing measurement, Or through the intersection and overlap between words to create a descriptive appearance, and change the directional structure and formality of the letters. Also shape penetration expressive representations that support the effectiveness of Calligraphy Compositions as an optical discourse with communicative aims, which includes text with meanings and connotations that reinforce the artistic structure of Calligraphy Compositions from showing it as a metaphorical metaphor interpreted by a figurative cognitive character.

DOI

10.21608/idj.2019.107593

Authors

First Name

Wissam

Last Name

Abdel Amir

MiddleName

Kamel

Affiliation

Staff Member, Arabic Calligraphy and Ornamentation, Department, Faculty of Fine Arts, Baghdad University, Iraq.

Email

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City

Baghdad

Orcid

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Volume

9

Article Issue

1

Related Issue

12194

Issue Date

2019-01-01

Receive Date

2018-10-12

Publish Date

2019-01-01

Page Start

351

Page End

358

Print ISSN

2090-9632

Online ISSN

2090-9640

Link

https://idj.journals.ekb.eg/article_107593.html

Detail API

https://idj.journals.ekb.eg/service?article_code=107593

Order

30

Type

Original Article

Type Code

1,217

Publication Type

Journal

Publication Title

International Design Journal

Publication Link

https://idj.journals.ekb.eg/

MainTitle

Representations of the Shape Penetration in Calligraphy Compositions

Details

Type

Article

Created At

22 Jan 2023