The philosophy of cinematic landscape science and interior architecture that looks at what each of the scenes is and this art has crystallized to highlight the designs of interior architecture in a complete harmonious and dazzling way in front of the users of interior spaces, they and the goal of the cinematic theorist on the way to interior design was to adapt the movement of plastic, fine and applied arts with its inclusion of architecture and cinematic scenery, and ways to exploit them in interior architecture as a consideration of the art of perspective, which gave a new face to deal with all these arts To create unconventional interior spaces characterized by the principles of difference combined with the idea behind the formulation of landscape art and to promote the design thought of the interior designer within the framework of the integration of landscape art so that the impact becomes effective and influential, and to pour all the efforts of the designer into the development of technologies, dazzling and influence, until the interior architecture - thanks to the efforts of cinematic film thought - has become a vibrant living piece that has achieved many and multiple features, services and effects, and the design process has transferred a unique qualitative artistic shift, so that These developments influenced and reflected on the field of interior architecture and allowed it to have diverse and richer insights