Ryan’s Variable Reality in Durang’s Miss Witherspoon: A Possible-Worlds Approach

Postdramatic Performance and Audience Participation in Thomton Wilder’s Selected Plays

Coherence as A Basis for Lingusitic Naturalism in Selected Plays of Arthur Miller

A HERMENEUTIC VIEW OF BIBLICAL MYTHOLOGY AS REFLECTED IN SARAH RUHL’S EURYDICE AND IN THE NEXT ROOM

Further Evidence for linguistic Naturalism in selected plays of Arthur Miller

Theatrical performance as a limit is able to change the context

The Haunting versus Reality: The Uncanny in Shirley Jackson's The Haunting of Hill House

Perceiving the Worlds of Caryl Churchill Top Girls and Fatḥīyah El ʻAssāl Without Masks in Relation to Dramatic and Cinematic Techniques

A Study of Tom Stoppard’s Where Are They Now? and Mohammad Enani’s The Dervish and the Belly Dancer as Time-travel Plays

A Writer and A Book: Play Translation (Visitors)