Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Cultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What

Identities at Odds: Dramatic Syncretism and Indigenous Identity Representation

Feminist Aesthetics: Cross-Gender Technique in Feminist Theatres

Narrative Representation of War Diaspora in selected works by male and female Ethnic American writers: A Gynocritical Study

Frustrated Brotherhood and a Need for Solidarity in Suzan Lori-Parks’ Topdog/Underdog

أثر النّظرية ما بعد الكولونياليّة في النّقد النسويّ

Betty Shamieh's The Black Eyed: the Intersection of Gender and Race

Justice and Human Rights in El Saadawi's plays: Isis (1985) and Al Zarqaa (2006)

المسرح العربي و محاولات التأصيل