Article(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr
Article(De)hyphenated Identity and Carnivalesque Polyphony: A Bakhtinian Reading of Hybridity and Female Characters in Zadie Smith's White Teeth and Maxine Hong Kingston's The Woman Warr
Articleصراعات إثبات الهوية في الخطاب الروائي السعودي المعاصر: صراعات المرأة الوافدة في (البحريات) نموذجا
Articleصراعات إثبات الهوية في الخطاب الروائي السعودي المعاصر: صراعات المرأة الوافدة في (البحريات) نموذجا
ArticleThe American Soft Power between Cultural Reconciliation and Identity Obliteration in Multiethnic-Oriented Novels
ArticleThe American Soft Power between Cultural Reconciliation and Identity Obliteration in Multiethnic-Oriented Novels
ArticleConception de l’identité culturelle postcoloniale à travers "Le Diseur de Vérité’’ d’Ahmadou Kourouma
ArticleConception de l’identité culturelle postcoloniale à travers "Le Diseur de Vérité’’ d’Ahmadou Kourouma
ArticleCultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What
ArticleCultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What
ArticleWriting History Against the Grain: Counter-memory as a site of Reconstructing Postcolonial Identity in Michelle Cliff's No elephone to Heaven
ArticleWriting History Against the Grain: Counter-memory as a site of Reconstructing Postcolonial Identity in Michelle Cliff's No elephone to Heaven