Staging Black Woman’s Self-empowerment and Black Feminism

Aboriginal Australian Autobiographies of Postmemory and Trauma in Wesley Enoch’s Black Medea and The 7 Stages of Grieving

:Aboriginality & Whiteness in Relation to Bildungsroman Pursuing National Tolerance, Cultural Communication & Identity Formation in Thomas Keneally’s Novel The Chant of Jimmie Bl

Narrating (Her)story: The Politics of Commemoration in Yvette Nolan’s Annie Mae’s Movement

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

Nomadic Performativity as an Aesthetic Alternative to Communal Acts of Resistance: Dreis Verhoeven’s ‘No Man’s Land’, Brett Bailey’s ‘Sanctuary’ & Akira Takayama’s ‘Piraeus/Hetero

ALEXIS WRIGHT: ABORIGINAL ART, CULTURAL HERITAGE, RECONCILIATION, WRITING AND HISTORY

Identities at Odds: Dramatic Syncretism and Indigenous Identity Representation

Betty Shamieh's The Black Eyed: the Intersection of Gender and Race

Black Feminism in a Twentieth-Century British Play