The Conflict between Secularism and Islam in Ayad Akhtar's Disgraced

Cultural Appropriation in Ayad Akhtar's Disgraced

Is There Any Way Out? A Phenomenological Hermeneutic Reading of Escapism in Mohsin Hamid’s Exit West and The Last White Man

The Exacerbation of Resistance and Reverse Resistance in Ayad Akhtar’s Disgraced (2013)

The Traumatized as Traumatizer in Yussef El Guindi's Back of the Throat

Navigating Distorted Territories: “Trauma, Memory and History” in Tony Kushner’s Homebody/Kabul

Frustrated Brotherhood and a Need for Solidarity in Suzan Lori-Parks’ Topdog/Underdog

“You think changing your name will bring you peace”: Breaking the Chains of Islamophobia in Rohina Malik's Yasmina's Necklace

Cultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What

Psycho-analysis of disturbed identity in post-modern civilization as depicted in modern American drama