ArticleSearching for the Ideal: Variety of Representations in Selected Extracts from Tom Stoppard's Trilogy The Coast of Utopia (2002)
ArticleSearching for the Ideal: Variety of Representations in Selected Extracts from Tom Stoppard's Trilogy The Coast of Utopia (2002)
Article‘Earth Matters’ in Solo Performances: An Ecocritical Study of Stephen Emmott’s Ten Billion and Chris Rapely’s and Duncan MacMillan’s 2071
Article‘Earth Matters’ in Solo Performances: An Ecocritical Study of Stephen Emmott’s Ten Billion and Chris Rapely’s and Duncan MacMillan’s 2071
ArticleClimate Realism, Eco-dystopia and Aesthetic of Resilience in Maja Lunde's The End of the Ocean and Diane Cook's The New Wilderness
ArticleClimate Realism, Eco-dystopia and Aesthetic of Resilience in Maja Lunde's The End of the Ocean and Diane Cook's The New Wilderness
ArticleNomadic Performativity as an Aesthetic Alternative to Communal Acts of Resistance: Dreis Verhoeven’s ‘No Man’s Land’, Brett Bailey’s ‘Sanctuary’ & Akira Takayama’s ‘Piraeus/Hetero
ArticleNomadic Performativity as an Aesthetic Alternative to Communal Acts of Resistance: Dreis Verhoeven’s ‘No Man’s Land’, Brett Bailey’s ‘Sanctuary’ & Akira Takayama’s ‘Piraeus/Hetero