This paper seeks to investigate the crises of Ann in Rachel Crothers's He and She (1911), Claire in Susan Glaspell's The Verge (1921), and Helen in Sophie Treadwell's Mechinal (1982) in their confrontation with the society's dogmatic paradigms. Such paradigms that hinder the females' independence and creativity. The three female figures, in their attempt to protect their identities, arouse in us Arthur Miller's concept of tragic emotions. This paper presents the three targeted females as having a tough conflict with close people to whom they have personal or emotional relations. As Ann must confront both her father and husband, Claire must challenge her sister, her husband and her lover and Helen must defy her mother and her husband. In their ferocious challenge against the fettering patterns and institutions, the three heroines offer three successive, complicated rounds in one battle. Ann's timid struggle passes through Claire's affirmative self-creation and closes with Helen's realistic fight for economic independence.