Between the Mother’s Imaginary and the Father’s Symbolic: The Dialectic of Fragmentation and Aggregation in Haydn Middleton’s <i>Grimm’s Last Fairytale</i>

Editorial: The Poetics of Enchantment: Dialogues in Myths, Fantasy, and Fairy Tales

A Critical Stylistic Analysis of Ideologies of Masculinity and Femininity in Folktales of Egypt (1980)

Text-World Theory in Nicole Disney’s “Beneath the Cracks”: A Stylistic/Cognitive Analysis

JANE EYRE: A FEMINIST FAIRY TALE

Reinventing "Bluebeard": A Sociopragmatic Study of the Folktale Genre

Post-Modern Re-Enchantment in Disney's Animated Film <i>Encanto</i> (2021) in Light of Max Weber’s Critique of Rationality: Promoting Diversity, Tolerance, and Coexistence

A Critical Review: <i>The Routledge Companion to Media and Fairy-Tale Cultures</i>

Gender Representation in the Arabic Dubbing Disney Animation: A Feminist Perspective

La fragmentation de l’identité dans trois contes d’Andersen: La petite fille et les allumettes, Le vilain petit Canard et L’Ombre