The research aims to studying the artistically trends of photography in Egypt since 1875, the
year which Armenians began to appear on the art scene. The research deals with three
distinct models of photographers, who came to Egypt, settled out in it and practiced this art
without interruption until 1900 and possibly beyond that. Their works expressed about the
reality of the Egyptian environment, and reflected the international art trends that dominated
in this period, whereas it was transported to Egypt in what was transported to Egypt such as
all European influences generally. They were chosen, as they practiced this art in Turkey and
Egypt at the same time, and they have learned at the hands of the Europeans in Europe and
Turkey, and competed their Europeans peers in Egypt and outnumbered them, and saw them
all European art academies in particular, the study shows the origin and artistic education and
the most important technical features for each of them and the factors that affect it and all its
implications and their role in the Renaissance of photography in Egypt.