الملخص
تناول البحث رمز الحمام ودلالته النفسية، عند الشاعر الأندلسي "ابن خفاجة" فقد مر الشاعر بمراحل في حياته ، بين أيام الصبا والشباب وذکرياته، ومرحلة بعده وهجرانه عن وطنه "شقر" والأندلس، فکانت مظاهر الطبيعة خير معين له ليعبر ويبث شکواه، ومن هذه المظاهر "الحمام" فالشاعر يرمز من خلاله إلى دلالات نفسية بث فيها کل عظاته وعبراته، فکانت متنفسا له، فنجده شعره مضطرم العاطفة، مرهف الإحساس، کثير العودة شديد الحنين إلى ذکرياته، کما عانى من مرارة الغربة والبعد والهجران، فکان الحمام ذلک الطائر الجميل، بشدوه وإنشاده وغنائه وبکائه، يذکره بوطنه وأيام أنسه، فقد تعامل الشاعر مع کل ما يتعلق بالحمام بأنه رمزا ولم يتعامل مع کونه طائرا بل تعامل معه تعاملا إنسانيا رمزيا فکان صوته رمزًا وغناؤه رمزًا وبکاؤه رمزا وخطابته رمزا وطوق الحمامة رمزا.
کما شکل رمز الحمام جانبا مهما في بناء القصيدة عند ابن خفاجة، سواء في مطالع القصائد أو ضمن القصائد، من خلال مزجها بالفنون الشعرية کالمدح والرثاء والغزل والمجون.
Abstract
The research dealt with the symbol of the pigeon and its psychological connotation, according to the Andalusian poet 'Ibn Khafajah', as the poet passed through stages in his life, between the days of youth and youth and his memories, and the stage after him and his abandonment from his homeland, 'blonde' and Andalusia, so the manifestations of nature were a certain good for him to express and broadcast his complaints, and among these appearances The 'pigeon', as the poet symbolizes through him psychological connotations in which he broadcast all his sermons and expressions, and they were an outlet for him, so we find his poetry full of emotion, sensitive to feeling, a lot of return to his memories, and he suffered from the bitterness of alienation, remoteness and abandonment, so the pigeon was that beautiful bird. His chanting, singing and crying reminds him of his homeland and the days of his forgiveness, for the poet dealt
with everything related to the pigeon as a symbol and did not deal with his being a bird, but he dealt with him in a symbolic human manner, so his voice was a symbol, his singing was a symbol, his crying as a symbol, his speech was a symbol and the collar of the pigeon was a symbol.
The symbol of the bath was also an important aspect in the construction of the poem according to Ibn Khafajah, whether in reading poems or within poems, by mixing it with poetic arts such as praise, mourning, spinning and insanity.