A Foucauldian Reading of Utopias/Dystopias in Selected Novels by Margaret Atwood

Science Fiction on Stage: Dystopia in Caryl Churchill’s Far Away

Transhumanism in Ghost in the Shell: Does It Lead to Utopia or Dysantropia

The manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone

The Aporias of A.S. Byatt’s Morpho Eugenia: A Neo-Victorian Perusal

A Postmodernist Study of Capitalism in Mike Bartlett's Earthquakes in London

Cyborg Theatre in Wafaa Bilal’s Domestic Tension (2007)

Glimpses of science fiction theatre in G. B. Shaw’s Farfetched Fables (1950)

Theatre’s ‘Green’ agenda: An ecocritical analysis of Lucy Kirkwood’s proto-environmental play The Children

Dystopie et nuances du possible, dans ‘’Le premier siècle après Béatrice ‘’ d’Amine Maalouf