The Subaltern Can Speak: Revisiting Spivak’s Concept in the Case of Death and the King’s Horseman and Joe Turner's Come and Gone

When the Subaltern Speaks: Feminine Narrative Performance in Heather Raffo’s Nine Parts of Desire and Issam El-Yousfi’s Tears with Alcohol)*(

When the Subaltern Speaks: Race and Gender in Selected Works by ZadieSmith and LeilaAboulela

The Subaltern Resurrected: A Study of Bahaa Taher’s The Sunset Oasis and Love in Exile

(Re)writing the History of the Female Subaltern: Radwa Ashour's Siraaj (2007)

Betty Shamieh's The Black Eyed: the Intersection of Gender and Race

The Interlocking Matrix of Oppression: A Reading of the Nameless Women in Ntozake Shange’s <i>For Colored Girls</i> and Dina Soliman’s <i>Al-ʾArayis</i>

Trauma and the Palestinian Experience in Betty Shamieh’s The Black Eyed (2005)

Homogeneity and Hybridity in Selected Plays by Betty Shamieh and Diana Son

Unweaving the Shroud: A Feminist Stylistic Analysis of the Chorus of the Maids in Atwood's <i>The Penelopiad</i>