Leila Aboulela is a novelist who thinks in Arabic and writes in English. Her novel, Minaret, is an embodiment of the borderline between a home-made mentality and an outward broad ambition. Gaining her theme and characterization a considerable amount of credibility, her style remains the vital literary tool of expression. Aboullela has employed indirect methods of presentation so skillfully to portray the tragedy of her heroine, Najwa, who is torn between the luxuries of a prestigious family at home and the hazards of her days in London. The variations of these indirect methods are used on a wide scale in the book, a fact that availed it a special quality. Building upon a variety of concerned theorists in the field of speech and thought presentation, the paper celebrates a painstakingly analysis of Abouellela's book that hovers between Sudan and England.