المسرح العربي و محاولات التأصيل

Identities at Odds: Dramatic Syncretism and Indigenous Identity Representation

Loss and the Quest for Identity in Mike Bartlett’s King Charles III

Psycho-analysis of disturbed identity in post-modern civilization as depicted in modern American drama

When a Play is not a Drama? A Postdramatic Study of Simon Stephens’ Carmen Disruption

الذات والآخر في المسرح المصري

Race, Gender, and identity in Selected Plays by Adrienne Kennedy and Sonia Sanchez through the Lens of Black Feminism, BlackArts Movement, and the theatre of the Avant‒garde

"Le personnage et son aspect nouveau":Recherche tiré de thèse de La technique dramatique d'Arrabal intitulée

Questioning the Essence of Literature: A Deconstructive Reading of Ortega Y Gasset’s and Mikel Dufrenne’s Phenomenological Investigations of the Ideal Literary Object

Cultural Identity as an Epistemic Construct: Ali’s The Domestic Crusaders and Akhtar’s The Who & the What