Dancing and Remembering: A Contextual Reading of Brian Friel’s Play Dancing at Lughnasa

Irish Temperament and Irish Talk’ : Desolation and Sense of Failure in Selected Plays of Brian Friel

The use of The Use of Myth in Selected Plays by Girish Karnad

Cultural Appropriation in Ayad Akhtar's Disgraced

Identities at Odds: Dramatic Syncretism and Indigenous Identity Representation

Dramatizing Hegemony and Counter-hegemony in Brian Friel's The Freedom of the City and Saad al-Din Wahba's Al-Sibinsa: A Comparative Study

The Impact of’ English’ on Post-colonial Identity: Brian Friel as an Example

Deconstructing Character and Identity In Martin Crimp's Attempts on Her Life

Decolonial Narratives of Knowledge and Defiance in Brian Friel’s <i>Translations</i> and Muin Bseiso’s <i>Shimshūn wa Dalīlah</i>

The significance of Orpheus’s Myth in Sarah Ruhl’s Eurydice: An Intertextual Approach